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William Morris and the Uses of Violence, 1856–1890

William Morris and the Uses of Violence, 1856–1890

By Ingrid Hanson

Anthem Nineteenth-Century Series

‘William Morris and the Uses of Violence, 1856–1890’ offers a new and challenging reading of William Morris’s work, focusing on his representations of violence and arguing that the idea of regenerative battle is central to his literary and political vision.

PDF, 252 Pages

ISBN:9780857283238

April 2013

£20.00, $32.00

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  • About This Book
  • Reviews
  • Author Information
  • Series
  • Table of Contents
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About This Book

‘William Morris and the Uses of Violence, 1856–1890’ offers a new reading of Morris’s work, foregrounding his commitment to the idea of transformative violence. Hanson argues, contrary to prevailing critical opinion, that Morris’s work demonstrates an enduring commitment to an ideal of violent battle and that combat, both imaginary and actual, is represented as a potentially renewing and generative force in his writings, from the earliest short stories to the late propaganda poems and political romances.

Hanson examines Morris’s imagination of violence as a way of understanding the world and the self. The interactions of combat, work and play, of self-sacrifice and hope, class war and prowess in his writings draw together conflicting cultural narratives about individual and political identity in a way that complicates or reframes their meanings.

Moving chronologically through his works, the book discusses the philosophy and phenomenology of violence by which Morris delineates his ethical and aesthetic positions, as well as examining the ways in which they intersect with those of his contemporaries. It combines close readings of his work with historical and contextual analysis to suggest that Morris’s paradoxical commitment to violence as a means to wholeness shapes the form and style of his works as well as their content and reception.

Reviews

‘Specialists will value Hanson’s astute, compelling close readings of transformative yet conflicted myths of violence in William Morris’s poetry and prose; students of war, politics, gender and historiography in Victorian literature and culture will relish the challenging questions raised by this wide-ranging, richly contextualised and ethically conscious study.’ —Samantha Matthews, Senior Lecturer in Victorian Literature, University of Bristol

Author Information

Ingrid Hanson is a lecturer in nineteenth-century literature at the University of Hull. 

Series

Anthem Nineteenth-Century Series

Table of Contents

Acknowledgements; Introduction: Warriors Waiting for the Word; Chapter One: The Early Romances and the Transformative Touch of Violence; Chapter Two: Knightly Women and the Imagination of Battle in ‘The Defence of Guenevere, and Other Poems ‘; Chapter Three: ‘Sigurd the Volsung’ and the Parameters of Manliness; Chapter Four: Crossing the River of Violence: The Germanic Antiwars and the Uncivilized Uses of Work and Play; Chapter Five: ‘All for the Cause’: Fellowship, Sacrifice and Fruitful War; Afterword: ‘Hopeful Strife and Blameless Peace’; Notes; Bibliography; Index 

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