Transnationalism and Translation in Modern Chinese, English, French and Japanese Literatures

Transnationalism and Translation in Modern Chinese, English, French and Japanese Literatures

By Ryan Johnson

Anthem Studies in Global English Literatures

Drawing on the latest work in comparative philosophy and comparative literature, this book presents an innovative model of transnational literary exchanges.

PDF, 250 Pages

ISBN:9781785274350

November 2020

£25.00, $40.00

EPUB, 250 Pages

ISBN:9781785274367

November 2020

£25.00, $40.00

  • About This Book
  • Reviews
  • Author Information
  • Series
  • Table of Contents
  • Links

About This Book

This book addresses several important questions in the fields of modern, comparative, and world literatures. At a time in which “weak theory” and transnationalism are becoming increasingly pressing topics, the volume considers the utility of philosophical logic, literary worlds, and analytic Asian Philosophy to understand world literature. In doing so, it investigates the ways in which Chinese, English, French, and Japanese writers eager to tackle the challenges of modernity gazed both across the Eurasian landmass and back in time to their own traditions.

Transnationalism and Translation in Modern Chinese, English French, and Japanese Literatures contends that world literature consists of many smaller literary worlds that are founded upon and made to conform with the deep-level ontological assumptions of their native tradition. The translation of texts across times and cultures introduces new logical possibilities to literary traditions and the writers who sustain them. Yet each translation also amounts to the creation of a new literary world, in which the ontological assumptions of the original are made to cohere according to the possibilities afforded by the culture into which the text is translated. This clash of ontologies, often overlooked in world literary studies, forms the basis of modern translational literature.


This book presents four comparative case studies. It begins with Ted Hughes’ and Chou-wen Chung’s attempt to make the Bardo Thödol express the desires of an expatriate American-Chinese composer and a rising English poet in the 1950s; passes by Paul Claudel’s and Mishima Yukio’s mid-century adaptations of medieval Nō theatre; looks at Claudel’s and Kuki Shūzō’s efforts to make the poetry of the Kokin Wakashū and premodern Japan accord with the experience of being an expatriate in 1920s Tokyo and Paris; and finishes with Hughes’ and Bei Dao’s endeavours to place themselves as heirs to the traditions of both China and Europe. It is these fortuitous but often ignored points of contact between East and West, ancient and modern, that exemplify the challenges and possibilities of transnationalism, allowing for an innovative new way of comprehending the multidirectional flow of world literature.

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Author Information

Ryan Johnson is a tutor and research assistant in the Faculty of Arts and Sciences at the University of Sydney.

Series

Anthem Studies in Global English Literatures

Table of Contents

Introduction; 1. Literary Worlds and Degrees of Distance; 2. The Chou-Hughes Bardo Thödol: Constructing a Sino-British Opera; 3. What We Disagree About When We Disagree About Nō; 4. Paul Claudel and Kuki Shūzō in the 1920s: Paris, Tokyo, and the World; 5. Tradition East and West, English and Chinese: The Cross-Cultural Poetry of Bei Dao and Ted Hughes; Conclusion; Index.

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