Based on an ethnographic study of television and audiences in class-divided Philippines, this is the first book to take a bottom-up approach in considering how people respond to images and narratives of suffering and poverty on television.

This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications.

A study of the profound preoccupation with time, youth and the relationship between generations in contemporary popular Indian media culture, this book suggests that the politics of time is a manifestation of the radicalised war between labour and capital inherent in India’s shift to neoliberalism since the 1990s.   

Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. “Unhomely Cinema” explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today’s global societies.

A study of the profound preoccupation with time, youth and the relationship between generations in contemporary popular Indian media culture, this book suggests that the politics of time is a manifestation of the radicalised war between labour and capital inherent in India’s shift to neoliberalism since the 1990s.   

‘The Content Machine’ outlines a theory of publishing that allows publishers to focus on their core competencies in times of crisis. This ground-breaking study, the first of its kind, fuses history, media theory and business experience in a defiant answer to those who contend that publishing has no future in the digital age.

This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications.

This volume details the history of Australia’s oldest and most nationally iconic publishing firm, Angus & Robertson, and its long-term investment in establishing and maintaining a viable commercial arm in London from 1930 to 1970.

‘Motherhood and Popular Television’ is designed to introduce readers to key debates concerning the representations of motherhood and the maternal role in contemporary television programming.

Perceptions of the Press in Nineteenth-Century British Periodicals

'South Asian Media Cultures' examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements.

This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.

'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of  'classic' - as well as the changing perception of so-called classic movies over time.

'Screen Writings: Partial Views of a Total Art, Classic to Contemporary' offers close readings of individual films intended to explain how moviemakers use the resources of the medium to pursue complex and significant humanistic goals.

‘Action!’ draws on the very best published and unpublished interviews of the ‘Bright Lights Film Journal’, and contains many gems, including the last ever interview given by Francois Truffaut, four months before he died.